Each larger section can be further divided into smaller sections and themes, which are arranged to give the piece a roughly symmetrical structure. The A section can itself be divided into three smaller sections: a1 m. The introduction of the piece a1 features the G major pentatonic collection in ascending block chords evocative of organum chant with lots of parallel fifths. This motif repeats itself twice, but each time the bass moves down a single step, so that the first repeat of the motif takes place over an F in the bass and the second repeat over an E. This changes the collectional center of the opening to the relative E minor pentatonic. The top note of this motif, an E, is held in octaves and repeated, evoking the sound of church bells.
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I provide the original scanned version and the filtered, because the filter does some changes smoothening, sharpening borders and some portions of the scan get lost sometimes when they are too emgloutie e. Unsourced material may be challenged and removed. Debussy uses the technique of parallelism also known as harmonic planing in his prelude to dilute the sense of direction motion found in prior traditional progressions.
Simply Classical Movie Music. There are many different versions of the legend. Romantic Evening Sex All Themes. The American Symphonic Organ. Light, rapid figurations and sudden shifts of register and dynamics require an exceptional degree of pianistic control.
This is the loudest part of the piece. Creative Commons Attribution Non-commercial 3. In these versions, King Gradlon was said to have converted to Christianity. To attain these effects that reflect images of the castle, most performers use specific techniques with regards to pedaling and articulation to affect tone color. A Spaniard wooing his sweetheart with the sounds of his voice and his guitar is thwarted by several noisy interruptions. It is virtually an etude, fiercely aggressive and calling upon the full resources of the pianist.
Parallel harmony forces the chords to be understood less with functional roots, and more as coloristic expansions of the melodic line. The rising pentatonic theme in measure 1 theme 1 repeats in measure 3, 5, 14, 15, 16, 17, 84, 85, and with a slight variations in measures and The high D in measures 1, 3, and 5; the soprano E octave that occurs 12 times from measures ; the high B in measures 14 and Cambridge University Press, You may ask me for a manually cleaned version.
It was famous throughout the region for its beautiful gardens and buildings. This is quite different from simple melodic doubling, like the 3rds in Voilesor the 5ths in La Merwhich are not usually heard alone without a significant accompanimental figure. A quintessential example of musical impressionismthe piece depicts the rise of a cathedral from the water and subsequent return to the depths — complete with bells chiming, priests chanting, and organ playing. Apparently a re-engraving of the Durand score above.
LA CATHEDRALE ENGLOUTIE
Préludes, Livre 1 (Debussy, Claude)
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